Heather Harmon Happened

OUR HISTORY OF OLD!

SALSA

This music features are and guaracha and tango, bolero and dance , With prominent influences from jazz.

Latin music in New York in 1960 was led by musicians such as Ray Barretto and Eddie Palmieri, influenced by imported Cuban rhythms as pachanga and charanga , but after missile crisis 1962, the Cuban-American contact declined profoundly [12] the result was the growth of Puerto Rican influence in Caribbean music developed in New York. The Puerto Rican community in New York, called for Americans [NuyoricanNuyoricans]], influenced by many Latin cultures as well as close contact with African Americans, it was the leadership of the future development of salsa music. [13]
However, it is said that the growth of modern salsa started in the streets of New York the late 60's and early 70's. By this time, Latin pop did not take a major force in American music, losing ground against the doo wop, the R & B and rock and roll , but there were a few young people to Latin dance rhythms such as soul and fusion mambo boogaloo, but Latin music ceased to be an important part of American popular music. [14]

introdujern are many of the first singers and musicians of the first generation to the world. [15] Founded by Dominican flutist and bandleader Johnny Pacheco and Jerry Masucci, the illustrious career began with Fania Larry Harlow , The Bad of Willie Colon and Singer of Singers , Hector Lavoe in 1967. [16] This was followed by a series of modern Son Montuno and full that developed in the sauce 1973.
emerged about the same time more centers of salsa in Puerto Rico , Ecuador, Panama , Venezuela and Colombia . In the U.S.
boogaloo preceded the sauce, which, after a short swing, replaced it almost completely.

was label Fania Records of Johnny Pacheco and Jerry Massucci who gave the nod to the genre to record and distribute the discs large Most of the salsa star seventies. The grouping of all these stars formed Fania All Stars , considered by many as the ultimate expression of the sauce, which made several unforgettable concerts in New York clubs as well as in remote locations as Japan and Africa.

SON CUBANO

The son has a variety of ways, including: Son Montuno, the changüí, son Havana, son cry and sucu sucu among others.
the late 60's and early 70's Los Van Van Songo to burst with mixing electronic music are the Beat. Juan Formell Charanga incorporated in the trap drums, bass guitar, amplified violins while these had a rhythmic emphasis, the singers perform for three voices and finally entered the Cuban trombones and locals.
Son is, without doubt, the Cuban musical genre that has influenced the Salsa, both in instrumental form, as in the musical structure of this to get confused as the same phenomenon.

VALLENATO

Vallenato is a musical genre indigenous to the Caribbean coast of Colombia, with its epicenter in the former province Padilla (Current southern La Guajira, northern Cesar and eastern Magdalena ). Its popularity has now spread to all regions of the country and neighboring countries like Venezuela and Ecuador . Traditionally interpreted with three instruments: the diatonic the guacharaca and box (small drum goat leather). The rhythms of vallenato music or air are the paseo, merengue, puya the the are and tambora.

The importance vallenato acquired in the last decades of the twentieth century led to the organization of festivals in which the accordion players compete for the honor of being declared the most skilful performer each of the traditional air (with the exception, inexplicably, the bass drum). The most famous of these festivals is the Vallenato Legend Festival, held annually in late April in Valledupar, and whose first version was played in 1968. Since 1987, Cradle of Accordions Festival Villanueva , Guajira, has become the second most important.