Friday, November 24, 2006

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Why do we prefer some music?



L a myriad of rhythms and genres leads to, and create different tastes: a different people like different music, and not just one gender, one is not 'home' with a rhythm but rather over time and depending on when you might like different styles. To try to understand why this happens, Omar Rincón proposes four possible explanations:

1. Cultural structures produce musical tastes: depending on where one is born and your class, you automatically enjoy live music in the environment surrounding it, and is locked into a single genre for life.
2. For the type of challenge that makes the music: on the lyrics, rhythm, interpretation by the singer (for his charisma, because it awakens a feeling ), or the questioning of those who like that music (the latter so joins social group).
3. On the performative rite: the music is what works and lives only in the experience, as a way of living ideas-rather than express them. In this case, the music becomes an aesthetic device which we self-discovery and, at the same time, when we share with others becomes an example of collective identity.
4. The music produces identity in their narrative plots: the narrative becomes the bridge that brings the music to the identity. The music can be a life character who lives several stories through different genres and songs.

analyzing these four options, you can reach several small conclusions: The music has given us the opportunity to enjoy has enabled people to enjoy their identities (individual and collective), we do not choose our tastes music, music choose us and we might like for no apparent reason, and, finally, is a way of life the ideas, quoting Omar Rincon "Not that the music has nothing to say except that lets everyone say what they want."

Monday, November 13, 2006

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"Music Training? The fury of tropipop

Today, payola (cash or gifts from record companies to broadcasters in exchange for more airtime for its artists) is bread every day on commercial radio. And found Juan Carlos Garay, music columnist for the magazine Semana, in a small study, this has led to a hegemony of four labels: Sony , Warner , Universal and EMI , with 99 % of songs to air are of artists who belong to these firms. This has serious implications for the listeners because the options are limited, exposure to a variety of genres and artists is limited, therefore reducing the culture to which we are exposed, no longer have the option to hear a little of everything for the end to form our own tastes ... tastes imposed us the music industry.

A lack of artists, because the list has been reduced to four record labels, we are exposed to them all day, so the prevailing phenomenon is repetition. In a broadcast 24 hours of music, really hear what we achieve are the same 40 songs repeated over and over again (hence the surprising success of THE 40 TOP S ). This phenomenon has psychological effects similar to experiments conducted by animal behaviorist school: being subjected to constant repetition, it generates a reaction in the listener, custom, which, psychologically, we end up mistaking the taste ... We are in a kind of training process, no matter how ugly it sounds, which lead us to prefer some songs and artists defaults. The record companies make use of this strategy because the appreciation of music relies heavily on memory as it is an ethereal art fades in time and dies with silence, they need to remember the artists they represent for us to get used and "like us" so we meet compelled to buy their records and attend their concerts.

Thursday, November 2, 2006

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From here a while back on the radio what more we hear are songs of a new genre known as tropipop that fuses folk music Colombian pop aspects such as rock and electronics.

Who started this trend so popular today, was nothing more and nothing less than Carlos Vives, samarium a singer who proudly strives to create a style (based on the rhythms of the Atlantic Coast as cumbia and vallenato) probably never imagined their spread at incredible speeds. On the international scene, artists that could be called 'pioneers' of the genus are Bacilos and Gianmarco .

Currently, it seems that every day creates a new group that operates within this genre; of the most prominent are Nonprofit , Jerau , Lucas Arnau and Bonka , especially the latter, 5 young graduates the school who are hit the moment with songs like "monkey", "The big problem" and "Swap Maluca." Additionally, Fonseca has achieved international fame moved using rhythms with rock overtones and many of Colombian music, making her debut album Heart has received several nominations and awards in international competitions, such as MTV Latino and Latin Grammy 2006.

The tropipop has been so popular among young audiences, which has virtually gone from being a style of music to be a successful marketing formula perhaps a fad ... But what is certain is that today These days you're going to partying at a nightclub and 80% of the songs are placed in this genus, as they are conducive to dance all night, either matched or 'bothering' with a group of friends. Personally, I think the genre has at least the near future promising because, although the rates among different groups do not vary much, the lyrics reflected situations common in youth, and because, additionally, has managed strategically 'emergence' of these artists are young, mostly attractive, singing for contemporary public romantic lyrics and indignation. However passenger gender becomes, what greater identification might ask? This really is the definition of pop music.

Tuesday, October 31, 2006

What Causes Constant Nausea

To remember why music is food for the soul ... Leaving the name

"Music is the art more direct, enters the ear and goes to the heart"
Magdalena Martínez
"In music all the feelings back to its pure state,
and the world but music is made real "
Arthur Schopenhauer
" Music is synonymous with freedom, playing whatever you want and however you want,
provided is good and has passion,
the music be the food of love "
Kurt Cobain

Friday, October 27, 2006

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In recent Latino MTV awards, the October 19 Colombian artists have shown that our country has talent in quantity and for a while! Not only were nominated artists who are used to seeing in ceremonies of that caliber, as Shakira, Juanes and Carlos Vives (who despite his talent was not present among the list of nominees), but new talent got noticed in competition with international artists.

Fonseca was the revelation of the year with his CD "Heart" has been a successful new genre tropipop, was nominated in the categories Promising Artist and Best New Artist Central, where he won. The latter category was dominated by Colombian musicians, 4 of the 5 nominees share the same nationality: Fonseca, Doctor Krápula, Ilona and Maia. In another category

two Colombians also competed with each other: Andrea Echeverri and Juanes fought for the award for Best Artist Central, and was won by the latter.

Meanwhile, Shakira's song "with Wyclef Jean" Hips Do not Lie "has been one of the most talked-winning songs of the year in various competitions. On this occasion received the Song of the Year award. Who would have thought that the song that Shakira took the market to save the poor sales of his CD Oral Fixation Vol 2 would be so successful? Not only saved her from a failed disk but threw it to the top of the charts around the world.

definitely Colombian musicians are devoting great attention, and showing the world that our country is nothing but war and sadness. We Pa'lante Colombia!

Thursday, October 26, 2006

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Colombia Youth "vulgar?


Pop music is the expression of the culture of the time, especially in adolescence. Therefore, worth asking: Are the youth of today are actually reflected in the hit songs of the moment? The artists who are hot are pretty strong lyrics and insinuating, is it true that they are simply saying out loud what young people think? Do they talk with the lexicon of youth?

hard for me to fathom this is true. I am young and these songs really resonate with me, have a very strong language, but apparently this is what sells and what they reward. The awards MTV Latinos this year, carried out last October 19, the Promising Artist Award went to Calle 13. Although I will not deny that the rhythms are catchy handle, the letter should not go unnoticed, the words are vulgar and double meanings. Most songs are about sex, promiscuity, drug ... Just to take one example, a fragment of their song "Soft" says "Fumat a dick pa 'to float without using an onion. I get that rolls and unrolls. The engineer of sex "Mr. Destroy ..."
"Lyrics innocent? "Reflection of society? This I leave to reflect ...

Thursday, October 19, 2006

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"Popular music? How

The pop comprises a set of genres and styles that do not identify specific nations or ethnic groups. It spreads through the mass media (print, recordings and broadcasts) and commercially, ie is subject to certain market criteria.

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voice of the people constituted as identity construction


In almost all cultures some form of music has served for entertainment: In the case of the Middle Ages, most people were illiterate and, therefore, there was no written literature as entertainment, so, from kings to servants had fun with jugglers , people who were dedicated to distract people ... The minstrels were the transmitters of cultural treasure consists of the popular pagan heritage, were mediators between art and people.

With the creation of printing, from 1500 made possible a wider dissemination through the sale and circulation of printed music, the scores were in the hands of the people.
When in 1877 the American Thomas Alva Edison created the phonograph, the music became even more accessible, it was possible that consumers no longer need musical knowledge to enjoy it.

In 1920 and 1940, respectively, radio and television broadcast allowed households live or recorded music.

In its heyday, the texts of songs began to reflect the fundamental issues of society such as hope, despair, humor, frustration, longing and love the styles of popular music served as carriers of cultural values \u200b\u200band as signs of identity.

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Music has always played an important role in learning and culture, reaching influence on the habits and emotions.
cultural practices in youth work as a socializing element while differentiating status or role. From the Rock & Roll, music has influenced generations, especially adolescents, and has even managed to families and society care about the effect it has on the public. For young people, patterns of behavior are in a group and cultural consumption (music industry) identifies and unites. Popular music is therefore an implementation generating values \u200b\u200band behavior.

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Pop Music as we know it


Since the 90's, musical styles have been characterized by electronic sounds, the product of machines. The main musical styles of the past decade, still remain, are those that are designed to raves, outdoor festivals or large spaces where the music is spun by the DJs, who have constituted themselves as new gods, and synthetic rhythms (beats) are causing the ball. The electronic music has different styles:

TECHNO-continuous tapping sound where the vocals are scarce. AMBIENT-
characterized by the connotation of nature. Its purpose is to calm the mind.
TRANCE "It's more gentle to the ears and the techno but continues to dance to the listener. The name is because it is designed to be transported to a world of harmony and happiness. PROGRESSIVE-
real instrument sounds, melodies of obsession and strong beat.
EUROPOP "Take some characteristics of house and dance. Itself is very danceable and, therefore, easily draws the public.
HOUSE, also known as Underground. Has its roots in the hard and became the first musical style that reflected the DJ as the focal point. In its evolution led in progressive house, progressive music is changing (the song starts one way and ends another).
GARAGE-is characterized by a session in which he mixes disco, salsa, soul, philly sound, and Latin music. Unlike the house, the voices come to the fore and are warm and sensual. GRUNGE
He reactivated the attitude of punk and the structure and style of hard rock groups.

At the end of the last decade and it so far, we have taken the charts young people, which is very natural because pop music is mainly addressed to this audience. The show has become the star of the music industry before quality voice and the melody requires the presence of the artist, so it (the technology has been of great help when artists who can not sing but have a good image). On the other hand, there are artists today whose stage presence is not indispensable or given, is a virtualization of physical presence.

Besides the styles mentioned, today we live rock and roll, with a mixture of funk, punk, R & B, and other rhythms, and called simply "pop", which is already mixed so many different styles that it is impossible pigeonhole into one.

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cultural identity of the 80


Feeling that had run out of lines of innovation and creativity previously developed in 1980 fell into a crisis of ideas that led to opt for reissues of old singers and songs, a phenomenon called the New Romantics.

In '81, was born MTV-Music Television-business becoming a rock industry that influences young people in terms of trends, styles and rhythms.

Thanks to disco dance and the rise of cybernetics, it was possible musical evolution. Increasingly, electronic instruments were replacing the traditional music instruments and rock musicians were replaced by machines, creating funds with little or no mechanical sensitivity, mostly used in clubs, is what is known as TECHNO POP.
Another style, the RAP, emerged in the early eighties, originally from black and Hispanic neighborhoods of New York; connected to the hip hop movement, became the new banner of the youth and the BREACKDANCE. Like Tecnho pop, rap music represented a new era where man before imposing the machine and synth effects.
late 80's, the radicalization of Heavy Rock Death Metal became a style obsessed with all the imagery surrounding the death, pain and suffering.

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The roots of contemporary pop music. From the '50s to the '80s


1955 - 1958: The Rock & Roll
The spread of radio in every home, the emergence of TV and the dissemination of players discs were elements that led to a large extent the music industry. Passed the Second World War (1939-45), young people felt cheated by the usual sweet songs and comfortable being who lived a simmering economic crisis and the suffering caused by nuclear war and its aftermath, they wanted something new ... emerged Rock and Roll. This music represents the young dissatisfied with American society, being in the Cold War. The icon was
Elvis Presley, The King. "

1958 - 1961:
Between two significant periods with records large sales and considerable development of the music industry, new styles emerged:
FOLK-Also called protest song. Born of the interactions between rock rhythm and music that lived, was one of the great social forces of the late 60's, which immediately relates to the burning of the primers of militarization and the great peace sitting protesting against violence and development of the arms industry was mired in the United States. The songs of this genre is dedicated to exposing injustice in the world
SURF "They were instrumental passages that sounded like waves breaking on the beach. It showed the idea of \u200b\u200bsurfing as a lifestyle.

1962 - 1968: The British Beat
appeared in Liverpool in 1962 a group of two guitarists, a bass and drums: THE BEATLES . Were considered a revolution in the music scene because synthesized the first beat of rock and English oral tradition.
Seeing that the charts were being invaded by various British groups, American reaction was to create new styles, most passengers:
BUBBLEGUM "simple and catchy songs to hum and" stick "as the piece from the first time you hear them. SOUL MUSIC-
Black music is sung with "soul." Emotive but a little more festive and positive than the blues.
FOLK ROCK-emerged in 1965 to add electric guitar to slow ballads folklorists before.
psychedelia and HIPPIES "In '64, with the start of the Vietnam War, young Americans were sent to" fight for his country ", however, that generation was not content to accept what for them was an unjustified war . As a symbol of rebellion against violent society and government, the world's youth began smoking marijuana. Marijuana joined the rebellion of rock and roll, long hair and, last but not least, with the chemical entered the scene lysergic acid or LSD, psychedelia was born, the word used to describe the state of perception expansive sense in which the LSD
plunged to their customers simultaneously, as well as rejection of the increasingly aggressive world, appeared in San Francisco HIPPIES: sons of flowers, pacifists, followers of the nonviolence of Gandhi, reused to military service, addicted to marijuana (Justified their use as facilitated happiness and therefore the ability to "make love, not hatred.")

1968 - 1975:
In 1968, the record industry was in a bind to run out of ideas and to be disoriented after the "rule Beatle", was how, trying not to sink, there was an outbreak of songwriters and new trends such as ROCK JAZZ, SALSA ROCK, ROCK GLAMOUR SOUND PHILADELPHIA, we return to the soul and jazz on the one hand, while the other, it gave strength to the most aggressive and hard rock, heavy metal. In New York came a movement called the Underground, which developed an intellectualized and rock critic.

1975 - 1980: The Disco Sound
In 1975, when the Vietnam War ended, there appeared some producers dedicated to making dance music in clubs taking advantage of new technical findings that allowed a high quality of amplified sound great power. DISCO name was taken from the French word Discoteque and introduced a radical change because it allowed continuous dance mix together the issues, a phenomenon never seen before. Born in the heart of the gay, Latino and urban clubs of African American culture in America.
Other styles that emerged in the same period were: FUNK (in black culture, reinforcing the rhythm section low as the protagonist), punk (rock power of a group of misfits with feelings of aggression and frustration), the TECHNO (music incorporating synthesizers and experiencing repetitive rhythmic build bases) and Reggae (Jamaican origin, investing traditional models of rock, combining well with the Ska).