L a myriad of rhythms and genres leads to, and create different tastes: a different people like different music, and not just one gender, one is not 'home' with a rhythm but rather over time and depending on when you might like different styles. To try to understand why this happens, Omar Rincón proposes four possible explanations:
1. Cultural structures produce musical tastes: depending on where one is born and your class, you automatically enjoy live music in the environment surrounding it, and is locked into a single genre for life.
2. For the type of challenge that makes the music: on the lyrics, rhythm, interpretation by the singer (for his charisma, because it awakens a feeling ), or the questioning of those who like that music (the latter so joins social group).
3. On the performative rite: the music is what works and lives only in the experience, as a way of living ideas-rather than express them. In this case, the music becomes an aesthetic device which we self-discovery and, at the same time, when we share with others becomes an example of collective identity.
4. The music produces identity in their narrative plots: the narrative becomes the bridge that brings the music to the identity. The music can be a life character who lives several stories through different genres and songs.
analyzing these four options, you can reach several small conclusions: The music has given us the opportunity to enjoy has enabled people to enjoy their identities (individual and collective), we do not choose our tastes music, music choose us and we might like for no apparent reason, and, finally, is a way of life the ideas, quoting Omar Rincon "Not that the music has nothing to say except that lets everyone say what they want."
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